“The cinematography is gorgeous as well, director of photography Saba Mazloum takes full advantage of the natural light provided by the set design’s open-window spaces; wall to floor glass panels gives the couple the illusion of transparency and Mazloum lets the sun do the majority of the lighting work. The outside shots are just as beautiful; the open serenity of nature conflicts with the invasive presence of technology in a way that suggests Sobhani may be gently rebuking the technological advances of the world: the further down this path we go, the more we lose our relationship with nature. “